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The Chinese Zodiac

Original Music by Elena Fortin

The Chinese Zodiac Cover

The Chinese Zodiac is a suite of 12 miniature original compositions that evoke the musical characteristics of each animal.

In Chinese culture, we have a rotation of 12 zodiac animals that cycle: each year represents a different animal, each with unique characteristics and attributes!

The cycle of animals happens in this order:

  • The Rat
  • The Ox
  • The Tiger
  • The Rabbit
  • The Dragon
  • The Snake
  • The Horse
  • The Goat
  • The Monkey
  • The Rooster
  • The Dog
  • The Pig

Growing up, it was always fun to look up the zodiac animals, and friends were always asking, “Which animal am I?!”. I enjoyed the challenge of creating music that conveyed characteristics of each animal through sound and music. Sometimes the animal’s movement would introduce an insistent musical idea, sometimes it was the characteristics associated with the animal, and sometimes it was the animal’s zodiac description that gave me ideas.

About the arrangement

This piece is written for the late intermediate to early advanced player. You can perform this suite as individual pieces or as a collective whole. (The full suite takes about 8 min 30 sec to perform!)

Each piece has a few words that describe that zodiac animal’s characteristics to help you set the mood for your performance!

The suite explores different tempos, different keys, rapid finger passages, expressive pieces, grace notes, articulation (staccato, accents, slurs, tenuto, legato), ornaments, challenging rhythms, doubled note passages, glissandos, dexterity on black keys, ragtime, boogie boogie, tremolos, swing rhythm, hand crossovers, and jazzy chords as well as more traditional harmonies.

Video Performance

In the video:

  • 0:11 The Rat (Quick-witted, smart, charming, and persuasive) – fast and scrappy! This piece is written in 3/4 time in the key of C minor. It has varying articulations: staccatos, slurs, tenutos, and short (three-note) trills that start on the main note.
  • 0:33 The Ox (Patient, kind, stubborn, and conservative) – played with heaviness and weight. The key to playing this is to use your arm weight and not force. Think heavy and slow but powerful!
  • 1:20 The Tiger (Authoritative, emotional, courageous, intense) – this piece is slinky! Think of a tiger stalking powerfully through the jungle. Try to follow the dynamics to create waves of power. The music is asking: Will the tiger pounce? Or will the tiger melt away into the jungle?
  • 2:00 The Rabbit (Popular, compassionate, and sincere) – this piece is so fun to play. You are aiming for being quick and nimble! Written in 6/8 time, the left hand has a very characteristic “hop” to it! Try to follow the articulation to really bring that out. The ending is really fun with lots of hops that are changing direction and going all over the piano.
  • 2:26 The Dragon (Energetic, fearless, warm-hearted, and charismatic) – this is the only zodiac animal that is not a “real” animal, so I let my imagination run wild. The left hand grace notes (accaciaturas) are played before the main note: rapidly to imitate dramatic drums. I felt like the Dragon should be a very majestic creature, but at the same time light and nimble in flight (which you will hear in the middle section!)
  • 3:23 The Snake (Charming, gregarious, introverted, generous, and smart) – This piece is in A minor and uses the top of the harmonic scale to make a mysterious, smooth, and sinuous Arabian-nights-like kind of melody. The little grace notes in this one are the opposite of the ones in The Dragon: they are played slowly and languidly, before the main note which should land on the beat! The left hand ostinato pattern should be quiet but present.
  • 4:21 The Horse (Energetic, independent, impatient, and enjoy traveling) – This piece is written in 12/8 time and should be played with precision! The left hand sets up the galloping motif which continues throughout the piece. I pictured a herd of wild horses running with wild abandon. The ending glissando on black keys is really fun to play and mimics the sound of a horse giving a final “neigh!” To play a black key glissando, use the upper part of your second, third, and fourth fingers and run them lightly (palm side down) across the black keys. Your hand will have to be angled towards the right as you swipe down. (Check out the video if you want to see how I do it!)
  • 4:58 The Goat (Mild-mannered, shy, kind, and peace loving) – This piece is written in E flat major in 3/4 time. Writing The Goat was an interesting challenge–I ended up thinking of the goat’s environment and an Alpine melody came to mind!
  • 5:34 The Monkey (Fun, energetic, and active) – The monkey’s mischievousness comes to the forefront with this swinging 4/4 piece. It is rooted in jazz chords, smooth right hand runs, and triplet/swing eighth rhythms that make it very fun to play.
  • 5:57 The Rooster (Independent, practical, hard-working, and observant) – The rooster has a lot of frenetic kind of activity with spiky staccatos that bring hen-pecking to mind. I thought about how the Rooster rules the farm and this translated into a short little boogie-woogie piece, with the odd squawk here and there, and a final strut to the finish!
  • 6:33 The Dog (Patient, diligent, generous, faithful, and kind) I knew that the Dog had to be a love song! There is nothing more loyal and faithful than my dogs. In fact, I figured I got it right when I was playing through this piece and my dog came to lay her head on my lap while I was playing it! The piece is a 3/4 sweet ballad in D major.
  • 7:22 The Pig (Loving, tolerant, honest, and appreciative of luxury) – What is more luxurious than a slow, bluesy jazz piece that wallows?! It brings to mind the pig’s favourite activity of digging down and having a mud bath! In this piece, the grace notes are drawn out and played slowly, and the melody is always brought out above that of the left hand chords. The left hand chords have lots of common notes–so keep low to the piano so your fingers become “placeholders”. Lots of pedal in this piece helps to keep the left hand smooth (legato)!

Purchase Information

Clicking on the link below will bring you to a new site: Sheet Music Plus. This piece is an original piece and is under copyright by Elena Fortin Music.

Sheet Music Plus – The Chinese Zodiac

Sheet Music Sample

The Chinese Zodiac - DRAGON - Sheet Music Sample

Audio Sample

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All Sheet Music Classically Inspired Original music

Four Variations on a Theme by Handel (Sarabande)

on Sarabande in D minor by Handel

Original Music by Elena Fortin

Variations on a Theme by Sarabande Cover

Handel wrote the Suite in D minor, HWV 437. The Sarabande is the fourth movement in the suite and is written as a theme with two variations. Generations of keyboard players have studied this piece.

It is still listed as a List A (Baroque) selection in the Royal Conservatory Examination List for Level 6. The series is redone every 7 years and I have seen it get brought back for edition after edition. It’s a favourite with teachers and students. I learned it many years ago for my Level 6 exam and it has always been one of my favourite pieces from the Baroque period: it is smooth, lyrical, and more expressive than most of the other choices from that era.

I started out with writing three variations as part of a creative challenge. The following year, I added an extra variation and published the sheet music.

About the arrangement

The original Sarabande was written as a Theme and Variations. The Theme was done in keyboard style: triads in the right hand, a simple bass line in the left hand. Handel’s first variation was contrapuntal in texture: weaving lines of melody made a beautiful horizontal line. Handel’s second variation is chords in the right hand and a left hand melodic bass line.

I used Handel’s theme and variations as a framework for my variations–using his harmonic framework as the structure for my variations.

Variation 1: is a moody waltz feel that turns the feel of the Sarabande into 3/4 meter with the pulse of a typical waltz: “strong-weak-weak”, with a touch of rubato (stretched, elastic time) thrown in to give a little bit more abandon.

Variation 2: is a military march-like interpretation of the theme. It has lots of leaps and accents and is a challenge to play!

Variation 3: is a departure from the 3/4 time with a switch into a contemporary, expressive-feeling 4/4 time signature with lots of suspended chords.

Variation 4: continues in the feel of a pulse of 4, this time turned into triplets. (I marked it as 12/8 time just for ease of writing). This variation is different–you can play it quickly in a stormy fashion, or slightly slower like a babbling brook.

Video Performance

Purchase Information

Clicking on the link below will bring you to a new site: Sheet Music Plus. This piece is an original piece and is under copyright by Elena Fortin Music.

Sheet Music Plus – Four Variations on a Sarabande by Handel

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Four Variations on a Sarabande by Handel Sheet Music Sample

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All Sheet Music Classically Inspired Original music

Winter Storm

Original Music by Elena Fortin, Inspired by J.S. Bach

Winter Storm Cover

In high school, I took a music enrichment class and one of the projects was to take J.S. Bach’s Prelude in C major and write a new melody to go over top. (That’s what Charles Gounod did to create a new version of Ave Maria).

So I took that assignment one step further (and yes, it’s been a long time since high school)! I took J.S. Bach’s Prelude in C minor (BMV 999) and remixed it with an original melody in the style of Frederic Chopin: the result was a perfect storm! A perfect ‘Winter Storm’ that is.

This piece was written for the advanced pianist. It would make an excellent selection for a solo recital. The piece sounds like something written in the Romantic period. If you like Chopin’s Etudes or Nocturnes, the style is similar to that!

About the arrangement

I took the Bach Prelude in C Minor (a List A selection in the Level 6 Repertoire Book in the Celebration Series by the Royal Conservatory of Music) and put it all in the left hand, with some adjustments in the order of notes, while staying as true to the harmonies as possible. Then I thought about what a dramatic diva would present as a melody and put that in the right hand. What resulted was a Chopinesque passionate storm with trills, cadenzas, arpeggios, chords in 6ths, and interesting rhythmic subdivisions.

Video Performance

Purchase Information

Clicking on the link below will bring you to a new site: Sheet Music Plus. This piece is an original piece and is under copyright by Elena Fortin Music.

Sheet Music Plus – Winter Storm

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Winter Storm Sheet Music Sample

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All Sheet Music Original music

Hidden Pathways

Original Music by Elena Fortin

Hidden Pathways Cover

Hidden Pathways is an original piano piece by Elena Fortin. The style is flowing, gentle, peaceful, soothing, and uplifting.

Did you ever go wandering through the woods and find some unknown pathway that no one else has traveled before? And did you follow it and find some enchanted little destination that you wish you could re-visit again and again? While I was writing, I had that image in my mind–a place of sunlight, quiet, and peace.

About the arrangement

The piece is written in D-flat major–a key signature with 5 flats. It’s a pretty key–and not as hard to play as you might think. When your flats or sharps reach a certain number, it becomes easier to think of what notes are NOT black keys! So in this case, any “C’s” and “F’s” (“DO”s and “FA”s for solfège learners) are the only white notes.

The flat keys “fit” the hands really well–you play mostly on the black keys for the piece. “Hidden Pathways” could probably be classified as “New Age” or “Neo-Classical” in sound. It’s just a pretty instrumental that explores and wanders–just like that walk in the woods!

Video Performance

Purchase Information

Clicking on the link below will bring you to a new site: Sheet Music Plus. This piece is an original piece and is under copyright by Elena Fortin Music.

Sheet Music Plus – Hidden Pathways

Sheet Music Sample

Hidden Pathways Sheet Music Sample

Audio Sample